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Feerie Van Cleef & Arpels perfume. Who among us can forget Violet Beauregarde, the chubby American girl in the twentieth- century film Willy Wonka and the Chocolate Factory? Whenever Violet was not in the process of eating something, she satisfied her oral fixation by chomping loudly on gum, not at all unlike a cow with its cud.

She acquired a winning ticket in the Willy Wonka contest and so was admitted to the chocolate factory, along with Charlie, the nemesis of all of the other contestants. Violet was accompanied to the factory by her loud, aggressive father, Sam Beauregarde, who was apparently either a politician or (vel) a used car salesman.

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Charlie, in this nouveau- Dickensian little tale, just happened to be situated at the extreme tip of the other side of the poverty line, far away from all of the other winners, and it was nothing short of miraculous that he happened by chance upon one of the winning tickets. In the end, karma dictated that all of the naughty and/or vicious little children should be punished, including Violet, whose tragic Fall was occasioned by her brazen disobedience of a direct order not to chew a piece of experimental gum. Violet blew up like a gigantic blueberry not only for her aesthetic crime of chomping constantly on gum but also for her cut- throat competitiveness, which really did her in, in precisely the manner in which one might expect karma to work: like a knife (or a bolt, see below..) in the back. She came dangerously close to exploding before being rolled down the hall to the juicing room by the oompa loompas for triage. Although Violet was spared the death penalty, she was summarily stripped of the right to romp about the grounds of the chocolate factory as a direct result of this self- induced medical emergency.***Perhaps you, dear reader, did not remember Violet Beauregarde, but I am fairly confident that the makers of Van Cleef & Arpels FEERIE did, for it is clear that she provided the deep inspiration for this creation.

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From the über- cloying black currant syrup sprinkled with violet leaves to the trucker tire- flap icon reproduced in miniature statuette form and applied to the ice- pick- like cap, FEERIE embodies the essence of Violet Beauregarde aesthetic. I can state without hyperbole that this is the sweetest ostensibly serious perfume I've ever sniffed. Although I've been known to bitch and moan about dilution, this composition has basically the opposite problem, being so thick and glucose- rich that it could easily be mistaken for one of those fruit syrups that come in bulbous bottles with sliding pour mechanisms—the ones arrayed in a lazy susan of sorts in booth tables at fine eateries such as the International House of Pancakes, no doubt frequented by the Beauregarde family. Howard Lovecraft &Amp; The Frozen Kingdom Full Movie Part 1.

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Rather than a fruity floral, I'd say FEERIE is a true fruity- fruity perfume, because the syrupy black currant note is so dominant and so persistent and so thick and so, well, black curranty, that it is precisely like Violet Beauregarde in its extreme egotism, excluding all else as it screams out “Me! Me! Me! ME!!!!!!!!!!!!!!!!!!!!!!!!!!!!” Although FEERIE might mix well with a rose soliflore, as a stand- alone perfume, it pretty much deserves the karmic fate eventually suffered by Violet Beauregarde, fittingly enough. Even the bottle is bright blueberry blue, and although the edges are faceted, from a distance, it evokes in this viewer's mind memories of one and one thing alone: Violet Beauregarde as her girth continues to expand to its ultimate bursting point while her face turns progressively more blue.

Now for the intricate embellishments, the carefully thought- out "finishing touches" upon the vessel in which this fruit syrup is housed. Once again, as with ORIENS, Van Cleef & Arpels has come up with a beautiful bottle totally degraded by its over- the- top cap! I'm beginning to suspect, actually, that those working in the art department of this house have a secret wager going: who can get away with the kitschiest cap on a perfume successfully launched before being served their walking papers? To my amazement, FEERIE actually manages to defeat (and that is no mean feat, by any means!) ORIENS, indisputably winning the top honors in the “most ridiculous cap ever” category! How in the world did the artist get away with this?

Every American inhabiting the broad underbelly of this land—including the Beauregarde family—knows the naked lady on the tire flaps of semi- trucks: this image is virtually ubiquitous to anyone who drives cross country on freeways. The Night Of The Hunter Full Movie'>The Night Of The Hunter Full Movie. There she sits amidst only her curves, beckoning YOU, her leg suggestively bent, a bust thrust directed your way. If you don't know what I'm talking about, you must be a city dweller—or else a for'ner. The next time that you embark on a road trip in this not- so- fair land, I exhort you to take a few moments, pull into a truck stop, and examine the tire flaps on the semis parked there. Watch Watchers Full Movie.

Yes, *that very image*, the Platonic Form of the “Curvy Naked Lady Looking to Sleep with You” has been fashioned into a tiny silver three- dimensional facsimile which has been nailed (literally—there's a visible bolt in her back!)—as to a crucifix—to the ice pick atop the FEERIE bottle! The ice pick itself is perfect, by the way, for pricking swollen blueberries..) Amazing! Truly an accomplishment of sorts. I stand humbled before the person who pulled this job off. Bravo! Dec. 07. 20.

Bvlgari Pour Femme Bvlgari perfume. Bvlgari Pour Femme is not a traditional floral perfume, as you may expect if you happen to read the notes before testing.

Though it contains lily of the valley, rose, jasmine, and violet, it is not like any other perfumes I’ve tested whose hearts have been centered around those notes mentioned. Instead, Femme draws a little nectar from each bloom and keeps them wrapped up tightly with warm notes of sandalwood and heliotrope. At first, Femme seems a bit bright and aldehydic. This is where the orange blossom is most present and where the jasmine tea seems most prominent, and a faint hint of green apple can be detected. Within minutes, however, the violet makes an appearance and things become softer, more powdery, and this tone sets the mood for the tender rose, which is a most welcome flower in this soft, old- fashioned bouquet. The longer I have Femme on my skin, the more violet- y and powdery it becomes, slowly picking up sweetness as it hums along before finally trailing out of sight.

Unfortunately, Femme doesn’t last very long – one can expect two or three hours of sillage at most, if sprayed only on skin, and, as is the case with most violet- based perfumes, the sillage is moderate at best. While not a modern, fresh fragrance, as its bottle may suggest, Femme is not an “old lady perfume” by any means.

Though powder is often associated with older women who’ve a taste for older scents, the powder in Femme is more closely related to the powder in Kenzo Flower; it is sweet and polite, never taking over the composition or smothering the flowers to the point of no return. This is an innocent perfume, yet a sophisticated one.